If you don’t know anything about Argentine Tango apart of the tons of cliches which many people have in their minds, you actually might ask “What the heck is that fellow speaking about?” Just give me a minute and I’m going to explain.

Perhaps you know Tango only from movies where obscure figures on dim lighted dance floors do strange movements, chewing truck heaps of roses. Perhaps you made up your judgment about Tango having seen ballroom dance competitions, frozen smiles, stiff moves, heads twisting unnaturally with each movement… Might be you went to a Tango Show, impressive, technically brilliant sensuous and perhaps most impressive.

Yet, what has all this to do with social competence? To answer this questions we have to return to the origins of Tango. Tango started in Buenos Aires and Montevideo at the end of the 19th century. Immigrants from all around the globe came to the Rio della Plata hoping for a better live.

At the same time local Argentineans from the countryside came to Buenos Aires and Montevideo also. They’d were made redundant on the giant haciendas, the dominion size cattle farms, and were trying to find work in the big city. As both groups competed for roles, housing and often mere survival tensions were inescapable. On the other hand the clash of the cultures was the cradle of one of the most successful music styles and dances, the Tango.

Tango in its beginning was ( and still is ) a social dance, at that time danced principally by the normal folk, workers, employees, little merchants… Tango was danced a little differently in the different quarters but to dance together all the dancers had to agree on one common code. One critical part of this code, which is still valid among real good Tango dancers, was the status for each other.

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